damiano von erckert and ava. records present: unda pressure, a record by dj lil’ john aka lil’ john colemann. three remastered tracks from chicago, originally released in 1994 and 1996.

combo lulo returns to names you can trust for their sophomore single, digging deeper into the diversified sounds of the caribbean that helped define their debut. while the first single took a jamaican foundation south into the neighboring continent, fusing the sensibilities of rock steady with those of classic afro-latin orchestras, this single goes far east. inspired by the heady and sublime sounds of foundational ska mixed with east african influences, (think buster s islam, don d s addis ababa or further east), the sieve & the sand is a brand new composition within this natural order, albeit with the fortune of different reggae eras and studio styles to draw from. divided into two parts (but also available seamlessly as it was played in the studio), combo lulo s talented players move effortlessly from the galloping shuffle of ska into a deep and dark, roots radics-styled instrumental. its a lovely ode to the original styles of reggae, but also another impressive accomplishment that will surely leave listeners and new fans in anticipation of the shape of things to come for combo lulo.

strong electro tunes!

arkada records is excited to announce our second release – the split ep feauturing autosim and serge geyzel ( hostage). hailing from the uk, rob smith aka autosim (cultek/scand) has been active since the early 2000 s together with phil bolland (sync 24) as part of the well known electro duo cultek. he has previously released under the alias innume on the mighty cultivated electronics label. second part of the ep presents the music of berlin based exciting upcoming talent in the world of electronic music – serge geyzel (mindwaves-music/berlin) who combines his affinity to early 2000 s electronica with the aesthetics of electro and dark ambient colours in his music productions. together this makes a very strong electro ep which moves the dancefloor and mind simultaneously!

great carl finlow collectors item. limited to 250 copies world wide

dark spheric techno tracks from the man of aura dinamica

following the release of the aset forever ep in september, dusky announce brame & hamo and kettama as remixers of ep tracks amongst the gods and staunch. on the amongst the gods remix, irish born, berlin based duo brame & hamo bring distorted kicks and industrial percussion that are sprinkled with euphoric samples from the original, helping to provide an unequivocally rave ready flip. fellow irishman, and rising star, kettama takes the reigns on staunch, turning the dark and brooding original into a thumping hard house epic punctuated with zapping synths and hefty percussion.

red laser records is back !

dark and dirty basement acid techno stomper ... monster

keysound recordings are excited to present three very unique cuts from scratcha dva x gage: “flytnurse,” “piffd” and “flytnurse (darqmix)”. dark, euphoric, weighty, and somewhat restless, they defy obvious categorisation. gage has made himself a formidable reputation by releasing some of the most forward-thinking darker dance music in the last three years, predominantly on the ever-quality crazy legs imprint. “telo” was a standout dancefloor moment, equal parts impactful and experimental, quickly followed up by the -mercury ep,- -2017 stay paro- and his banger-collab with kevin jz prodigy, -bad bitch.- scratcha dva first appeared on keysound 66 releases ago with the explosive dread grime anthem “bullet a go fly” featuring badness, riko, flowdan and killa p. but in truth he has a lengthy production back catalogue both before and after that 12”, with albums on hyperdub, his new “interludes” project and a track on the recent landmark kode9 & burial fabriclive 100

electronic percussion generates rhythms

fred ventura longplayer .. must have for fans of italo

berghain infected techno weapons.

5 remixes by serbian cult synthesist abul mogard on heavyweight double vinyl.

außergewöhnlicher dark dub utrifft ambient mit psychoaktiven ebm.

dark and minimalistic techno excursions from nick payne for tachyon audio. remixes coming from soundguy josh and doubt.

it is a four-track ep divided in a bright side and a dark side. the first side has a disco-house flavour, the other one is more electronic with strong synths.

180 gr vinyl - pressed on vinyl only

after releasing hvl s away from everything we know 12inch back in 2015, organic analogue welcome the georgian producer back to present his long-awaited debut album. as a resident of the much-vaunted club bassiani, hvl conceived ostati as a document of the sound of tbilisi - centred on warm, outboard house and techno but with a noticeably understated mood. the club tracks take a pared down approach that favours space and meditation over bold brush strokes, but between the teeth-gnashing bite of -askinkila- or the rough and ready acid workout -continuum,- the sound is gutsy and dripping with character. ostati spells out a space where dim lights and mysterious corners provide a playground for wild ideas to dart around in the dark. the overall atmosphere may appear subdued, but it s merely a cover for the fiery spirit lurking underneath.

dark industrial electro sounds

luttrell’s debut album on double vinyl, housed in a gatefold sleeve plus laser-cut slipcase.

dark, mystic and experimental

for the twelfth output of invite’s choice records, the label returns to doing va releases again!

never underestimate the power of a good bassline. mark du mosch certainly doesn’t. this veteran from the harbor city of rotterdam let’s his vicious bass line creep up on you from behind on 202 ac ra. a dark and jacking club belter with clear chicago roots. the five track ep the heavens may be his debut on sohaso, du mosch has been releasing music for over fourteen years on a variety of respected underground labels, such as moustache, dekmantel and royal oak. his versatile style draws on sounds that evoke strong mental imagery and a sense of eternity, which clearly shows on the introspective resonance delay (she) on the b-side. in which a melancholic melody is supported by muffled slow motion beats. the beautiful artwork on the heavens ep is by joost stokhof, an amsterdam based graphic designer who is known for his love for detail. which makes him perfectly suited for du mosch’ subtle and well crafted dance tunes. in a normal world you would open your ep with the title track. du mosch chooses to close with it. the heavens stays true to it’s name. a harp like melody that washes ashore as foam from a greyblue northsea that calmed down after the storm. heaven indeed

side a is a reissue of the highly sought after disdain ep from 1988 by white house white. side b contains three previously unreleased tracks in a similar spirit to whws sound with a dark and sleazy atmosphere

repress - amsterdam-based duo wanderwelle return to silent season for their debut album which is inspired by the mysterious pagan tribes that once roamed across the european woodlands. lost in a sea of trees tells the tale of a lone traveller who enters a dark, ancient forest. lured deep into the woods by something not of this world as he enters uncharted grounds. step by step his journey is getting darker as he encounters strange phenomena and beings among the trees

today kimochi sound gets baltic sea sonar pinging techno deep, maybe something like bridging the gap between sleeparchive and mono junk. there are enough hypnotic spaces and hallucinatory frequencies in these loops to tide over the dark winter months, with enough funk packed into the riddims to inspire some heated early morning grooves.

180 gram double vinyl in gatefold sleeve.

it must affect the brain in some way, unless its just the music that does it? all them lights flashing don’t do you any good either...

with this previously unreleased 1963 score for jindlich polaks ikarie xb-1, finders keepers present its third dedicated soundtrack by zdenek liska.

dark underground journey

the compilation reflects simon green’s penchant for both expansive combinations of mixed musical elements and intricate structures. he uses the multi-instrumental arrangements of his own work as the basic structure on which to build a narrative across house, techno, electronica and breakbeat. (fabric london) the double vinyl comes in a gatefold sleeve with download code included.

cutting edge electronics with the dark, sweaty and serious dance floor in mind.
from the outset w1b0 s mission to carve out his own sound in this era of cut and paste and production shortcuts has led to recognition by genre champions such as rolf mulder and dave clarke, indeed his first formal appearance on physical media was as part of dave clarke’s seminal fabric 60 cd.
the original mix of main squeeze is an electro epic, straight to business with a growling bass line sitting beneath room filling drums combining to lay foundation for a soaring synth invasion. the four remixes see four artists who represent the cream of talent in the many shades of the authentic modern electro genre transforming main squeeze into new dance floor destroying shapes. ranging from borderline industrial breaks from simplicity is beauty to the punchy experimentation of boris divider and from the unmistakeable raw sound and energy of the exaltics to the flawless dark electronics of bs-1.
supported by dave clarke, igloo magazine, technobass.net and more.

dmitry distant’s side of the record sees a journey through abstract soundscapes, hefty dark atmospheric techno and electro, rounded off nicely by a dark funk injected remix from sweden’s obergman. all made live with machines, dmitry’s tracks are the authentic type of electronic music the popular scene would have you forget. no surprise then that his live schedule is taking him across europe including a gig alongside the mighty rude66 and luke eargoggle in berlin.
lectromagnetique takes you on a ride through some edgy, acidic and melancholic broken techno experiences. whilst many seek to portray that cold, sci-fi, and industrial vibe in their music, few get to draw on the experiences of living in the pripyat region on chernobyl’s doorstep. as you listen you can feel and visualise places you would otherwise never dare tread or let your mind wander to.
supported by dave clarke (including best of electro 2016), helena hauff, the black dog, mix mag (album of the month) and more.

downtempo with a dark twist - the 2nd v/a compilation on kump.

dawl debüt bei libertine records mit 4 tödlichen acid-rave tunes.

electro-sounds mit industrie- und techno-einflüssen.

driving and hypnotic sounds from barcelona.

renaissance is the debut release by dead husband, two boston brahmins who stagger from the mausoleum onto an italo-disco dance floor.
building from prior projects in industrial and techno, dead husband meld lacy rhythms with droid emotion, straddling the space between the notre dame and centre pompidou, drowning the melancholy of lingering memory in the vigor of an analog dance floor.
renaissance cuts across dead husband s remodeled influences. the essence of industrial dance, dark techno, and the sweaty pulse of ebm bleed together into a decadent and hedonistic whole. elegant, introspective, and infectiously danceable.

remastered reissue on 180 gram vinyl of the human league’s 2nd album from 1980.

third installment on lunatik’s absolute records imprint with dark techno / ambient from lunatik and opl.

ltd reissue

von italo bis dark disco und slow mo, alles schön tanzbar im clubformat verpackt.

the 3rd album from rudimental as double vinyl in gatefold sleeve.

the blues roots grow surprisingly deep in the finnish music scene. from this fertile ground rises singer emilia sisco, who debuts on timmion with her phenomenal single -don t believe you like that-. with her strong background in fusing blues, r&b and jazz, emilia apparently slips also nicely into the dark soulful grooves of cold diamond & mink. in -don t believe you like that- emilia sets herself into the role of a mistreated lover, who still tries to see a speck of hope in the doomed relationship. by dubbing herself, and accompanying the lyric with graceful harmonies, she succeeds in building a powerful beat ballad, that should appeal to the darker end of the dance floor. there s a special lane in history for soul music this understated. it s cool and intimate at the same time, like there s something dangerous lurking under the surface. so roll up something nice, if that s your thing, and hop along for the ride.